October 18 in Cannes, MIPCOM launches the inaugural Diversity Summit, which includes a series of talks and panels to explore issues of…
Having worked in the distribution business for longer than I care to remember, I thought about the moments that stand…
It is undeniable that a significant shift has taken place in the way we view our favourite TV content. According…
So what exactly are the right rules of engagement when it comes to distributors or project financers influencing content? Indeed, should…
This is the latest in a series of posts from leading TV influencers in the run-up to MIPCOM 2016. The posts are…
This is the second in a series of posts from leading industry executives in the run-up to MIPCOM 2016. The posts are…
The world of television has dramatically changed over the past few years. Traditional linear and digital non-linear television now co-exist…
We may be living in an era of “peak TV,” according to FX’s John Landgraf, but we are also approaching…
Regional genre differences in content production is a well-known trend, such as Scandinavian crime thrillers or British period dramas. However,…
Not all IP is suitable for brand extension, but we realised from the start that The Future is Wild (FIW) —…
What type of programmes are buyers looking for today? What is their editorial angle? How can you best appeal to buyers’ requirements? This…
Deal-making at MIPCOM 2015 was brisk across all genres, reflecting the continued dynamism of the international content business. While continued…
This year’s Personalities of the Year, Gary Newman and Dana Walden (interviewed today by Anna Carugati, group editorial director of…
Showtime Networks is one of the starriest firms in the television industry at this point, with a host of talent both…
In a conversational interview, Adam Crozier, CEO of ITV fielded questions from group editorial director Anna Carugati of World Screen. In…