J.A. Steel: 5 challenges facing producers and how to overcome them
Here are five challenges TV and film producers all around the world know all too…
Browsing: production
Interview: Mike Beale, ITV Studios: How formats are becoming more global, social… & affordable
In a risk-averse time like the present, formats are a solid and comparatively cost-effective option…
Liveblog: MIPCube Digital Fronts: Jimmy Lee’s web content with broadcast bang
Pierre-Mathieu Fortin of Jimmy Lee joined us this morning to screen some of the great work…
Nicola Lees: Producers: Do your homework before meeting International Buyers
Before looking to international broadcasters for money, it’s important to prove there is a market…
Liveblog: What do MIPJunior Buyers Want?
What do buyers want in the children’s TV market? It’s what every production company wants…
Ian Ginn: From Producer to Producer: Getting started with Transmedia
Photo: Game of Thrones parchment: an example, cited below, of just how far beyond the…
Video: MIPCOM’s “Creating a new 3D Entertainment Experience” panels
Sony, Sky, BBC Worldwide, ESPN and many more all took part in a day full…
Liveblog & video: Crowdfunding: A new funding source for producers?
Crowdfunding has become an intriguing new source of funds for all manner of creatives in…
Nick DeMartino: Why “Transmedia” is catching on (part 3 of 3)
Above: Conspiracy for Good, Heroes creator Tim Kring’s transmedia project, on which Brian Seth Hurst…
Nick DeMartino: Why “Transmedia” is catching on (part 2 of 3)
Above: one of “Heroes”‘ beyond-TV incarnations; below: Nick DeMartino Part 1 of this three-part series…
Nick DeMartino: Why “Transmedia” is catching on… (part 1 of 3)
Above: acclaimed transmedia production “Collapsus”; below: Nick DeMartino “Isaac Newton didn’t discover gravity; he just…
Simon Staffans: How to make your Transmedia project a reality
Judging from eager conversations on conferences, amongst industry people and on blogs, Twitterfeeds and Facebook…
Interview: Borgia’s Oliver Hirschbiegel: “I don’t see a difference between film & TV”
The 12 x 60 minute $34 million series was coproduced by France’s Canal+, ETIC Films and…