In December of last year, it was announced that the BBC’s principal production arm, BBC Studios, and BBC Worldwide, were…
It’s that time of year again—as in, the New Year. TV trends abound, come screeching in from the glorious tail-end…
Arash Amel is a screenwriter and producer based in Los Angeles. His latest project—A Private War—about female war correspondent Marie…
The following interview features in the new report from Ampere Analysis—Where next for kids’ TV: Predicting the future of children’s…
The rising trend and availability of streaming media and Video-on-Demand (VOD) services has opened new and far-reaching opportunities for content…
Its creative businesses are recognised by critics and lauded by millions of paying filmgoers and television audiences around the world,…
Producers, writers and actors have for years been dreaming of a time when creative success leads to commercial success. With…
MIPBlog: This will be the third consecutive year since 2016 that MIPCOM focuses on diversity in entertainment. What progress do…
Kate Beal is the CEO of Woodcut Media, a company specialised in the production of documentaries, specialist factual and factual…
As autumn unfolds, so does the TV industry. We see the year’s greatest influx of new programmes, while the weather…
Bunmi Akintonwa has worked in the International TV Industry for over 20 years. She is the head of the Little…
From the creators of Money Heist (La Casa De Papel), The Pier (Embarcadero) follows the harrowing story of high-pro- file…
In the five years since its inception, under Margie Cohn, Comcast/NBCUniversal-owned DreamWorks Animation Television (DWA TV) has seen extraordinary growth…
Espace At Dannemora is based on the true story of a prison break out in upstate New York in the…
Brian Cobb (left in above photo) is a pioneer of diverse content, having co-produced The Horizon, the most-watched LGBTQ series…